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The moments of Grace are, as they should be, not in moments like the dinner scene but in the unexpected. The Bad Mother refers to oppressive puritans like Margaret White in Carrie. There have been a lot of discussions nature vs. nurture, but I've been thinking she was not ok during pregnancy, usually postpartum depression starts after birth. By contrast with Elephant's oddly diffident lyricism, We Need To Talk About Kevin's expressionistic naturalism has a roiling, post-traumatic nonlinearity. Kevin chooses to wear only short and cheap garments. Three days before turning 16, Kevin unleashes chaos in his school. Despite the fact that Eva is a travel writer of particular renown, she is bound by an understanding of mother/child relationships that do not correspond with her own relationship with her son. While she's on the run when we meet her, it's the arrival of Scott (Paul Rudd) and Cassie Lang (Kathryn Newton) that brings her right back into the thick of the action. She sits in a blank daze in the hospital room. This is the fear of parenthood. We also did a lot of blue screen work before, which really helps with the imagination. Kevin was not necessarily abused or tortured as a child, many kids endure much worse and did not end up as mass killers. A prolific writer and the ostensible head of a travel agency, Eva cares more about her own unfulfilled wishes than her ever-menacing son. To rate, slide your finger across the stars from left to right. Kevin is a defiant baby who screams incessantly but never around Franklin. These people live there, but they've never moved in. The real monster is expecting nothing less than unconditional love. Eva believes that some defect of maternal affection had something to do with Kevin's development. Indeed, one of. Eva takes incessant trips down memory lane to cope with her past loss. When Kevin paints Evas room with color splashes, Eva thinks that Kevin wanted to ruin the room, but maybe he really wanted to make it more special. Sometimes Zuzu's petals are all you have to hold onto. The film opens to the sounds of sprinklers tch-tch-ing, before the first shot reveals a half-open patio door whose curtains are wafting with the wind. Besides their physical likeness, Eva and Kevin also share a certain coldness, which plays into Eva's self-hatred. SPOILERS AHEAD. After this episode, Eva and Kevin seemingly become more affectionate towards each other. He hates Eva for a plethora of reasons her neglect, her coldness towards Kevin, and Franklins misguided overcompensation for the lack of Evas love. One may ask how one of the main instincts of every living thing, the need to reproduce, could be frightful. The film does not show us how Kevin presents the eyeball to Eva in jail. The kind of clothes one chooses is also indicative of ones social status. So, I think it'd be really, really cool to see if they came up with something else. You couldnt have possibly thought that seeing someone eat lychee would be so distressing, but Ezra Miller makes it happen. All of the performances are secondary to an urgently compelling narrative that is both agonizing to witness and impossible to look away from. She has something of an answer as to why Kevin committed such terrors, but where does that leave her? ROHAN: Since Jentorra and most of her freedom fighters make it out alive, have you heard anything about coming back for more Quantum Realm adventures down the line? Growing up with a cold mother does not turn one into mass murdered either. There are several red flags in the movie that indicates Kevins volatile dispositions, but an accurate diagnosis is not possible. In a sonic sleight-of-hand, the joyful cheers alchemise into the sorrowful cries of the families and friends of Kevin's victims. Of course, that mental illness is presumed by viewers. The most cynical, nihilistic, misanthropic films ever made. Kevin examines both our darkest moments and those slivers of Grace that sustain us. Three days before his 16th birthday, Kevin Khatchadourian (Ezra Miller) kills several students, a teacher and a cafeteria worker in his high school gymnasium. Did you work with her individually on creating some of that dynamic since Jentorra is someone that's been in this fight a long time versus Cassie who is just beginning her fight against Kang? You tell me." Maternal ambivalence turns into filial antagonism, colouring her perception of him as inherently evil. Her husband Franklin (John C. Reilly) dismisses her concerns and uproots their bustling city life for a quiet home in the suburbs. Kevins reaction is an indictment of both Eva and audiences expectations and their desire for his complicity in perpetrating the fraud. We learn that Kevin was a difficult, colicky baby, who grew up to be a difficult, problematic child who seemingly refuses to toilet train, despite a rather surprising vocabulary. She finally gets her excuse to abandon Kevin but doesn't act on it. Eva's elation is reflected in the room's warm yellows and flowers on the bedside table. ", Did Kevin internalize her hatred of him, or is she just feeding into his innate instability? It suffers from an excess of clunky foreshadowing and there's very little I find believable about the characters' actions. For example, sociopaths are more erratic, and they dont make drastic decisions such as Kevins. Kevin has numerous reasons to hate his mother, Eva. Yet it is in those infrequent instances of relief, conversion and mercy that the film finds its identity and direction. And I really am curious as to how she's handling a society of ultra-intelligent ants that basically flooded her world. We Need to Talk About Kevin: Directed by Lynne Ramsay. Ramsay establishes a sense of aloofness in Eva with Kevin still in utero. Sometimes Zuzu's petals are all you have to hold onto. It is a world where any attempts to offer a message of mercy, conversion and redemption must be done deftly and authentically, because at the end of the day, sometimes the community wont rally around you and more often than not Mr. Potter carries the day. I mean, there's no room for the leader of the rebellion to give up. Also, stripes are a striking feature that connects Kevins clothing sense from childhood to adolescence. Kevin, it seems, is a volatile Holden Caulfield for the generation. Indeed, Kevin is a relentless film that gives its audience few opportunities to come up for air from the depths of anguish to which it plummets. Children seldom get that attention, though. We Need to Talk About Kevin is a 2003 novel by Lionel Shriver. Is her husband as zoned out as he seems or is that only her perception? The cast ensemble, with Tilda Swinton, John C. Reilly, and Ezra Miller in a menacing role, cannot be praised enough. Eva Khatchadourian, a former travelogue writer, lives in a rundown shack in an American suburb and goes to meet her son. Eva rushes to the school to see Kevin getting arrested. His attitude towards his son is warmer, but underneath there's no more depth than there is with Eva. Instead, maternal ambivalence is coded as horror. And the whole thought was just to fight and keep fighting? Following the release of Ant-Man and the Wasp: Quantumania, we caught up with actress Katy O'Brian to talk about her MCU debut as Jentorra, deleted scenes with Bill Murray, and a whole lot more! His reply: "You don't want to kill your audience.". You know, it's all fun and games until you really understand that every single decision that you make impacts everybody. By using our Services, you agree to our use of cookies. So, I think it'd be really cool to explore that either in future Quantum Realm stuff or if somehow I got sucked out into the surface world or something, any of that would be fun. All the community rules apply here. ; Black Lightning) played this powerful new character, who has been engaged in this ongoing struggleagainst Kang (Jonathan Majors) for far longer than most and has paid an incomparableprice while trying to liberate her people from his rule. We cling to guidelines like the length of Tilda Swinton 's hair to figure out where we are. Don't post randomness/off-topic comments. The victims of those who go out with a bang are miniscule in comparison to the number who go out (extinguish themselves) in solitude with nary a whimper. From ths beginning of the movie they lay out the whole story, but it isn't until you watch the full thing that you piece everything together and get this larger than life story. The real monster is expecting nothing less than unconditional love. True paternal love would have been expressed as abiding concern for the man his son could grow up to be if there really was a danger of mental illness, and result in the appropriate physical and mental health care to avoid a catastrophe. At one point, she mockingly. ANT-MAN AND THE WASP: QUANTUMANIA Star Katy O'Brian On Deleted Bill Murray Scene, Backstory & More (Exclusive). Starring: Tilda Swinton,John C. Reilly,Ezra Miller Watch all you want. For instance, the ball game Eva plays with a toddler Kevin: when Kevin successfully rolls the ball back to her, her praise is strained and brittle. Does she ever. With Franklin there is no conflict. Not that she has a ton of options she struggles to find work and be accepted by those around her. Likewise, don't respond to trollish comments; just report them and ignore them. We Need to Talk About Kevin by Lionel Shriver plays with the deepest fears of the majority of people. As a portrait of a deteriorating state of mind, "We Need to Talk About Kevin" is a masterful film. Did they create a monster, or was he born that way? The sci-fi adventure opens in theaters on Feb. 17, 2023. Ramsay builds on Shriver's idea of internalised blame with how Eva sees herself following the tragedy. 1 'Gonjiam: Haunted Asylum' (2018) Image via Showbox. The ending of the film leaves Eva's fate up in the air. But Kevin is just getting started, and his final act will be beyond anything anyone imagined. Eva is entirely bound by the expectations of a culture that fetishizes the mommy and insists upon a particular quality and dynamic in order for relationships to be healthy and normative. None of that takes anything away from yet another deeply felt performance by the always-interesting Swinton. Alec Baldwin has been charged in the southwest state of New Mexico for manslaughter and faces an 18-month prison sentence, as does the film's armourer Hannah Gutierrez-Reed. Eva often looks like she's in a state of shock. A lawsuit could force the F.D.A. ComicBookMovie.com is a registered trademark and has been officially registered with the United States Patent and Trademark Office (USPTO). We Need to Talk About Kevin (2011) photos, including production stills, premiere photos and other event photos, publicity photos, behind-the-scenes, and more. At first glance, it would seem that Kevin is yet another installment in the pantheon of post-modern films intent upon assaulting the human desire to give meaning to the world. Community Guidelines | The point here is not to understand Kevin at all. We see it in her bond with the more amiable Celia. Swinton gives an outstanding performance, somehow managing to repeatedly convey implacability and vulnerability in the same moment. "We Need to Talk About Kevin" leans into that debate, showcasing a resentful mother, a passive father, and a child with an untreated mental illness. It is a world where any attempts to offer a message of mercy, conversion and redemption must be done deftly and authentically, because at the end of the day, sometimes the community won't rally around you and more often than not Mr. Potter carries the day. it's difficult to accept why Eva keeps visiting her son in jail, at one point even asking why he did it. Privacy | Is it possible for her to move on from something so traumatic? It's no secret that We Need to Talk about Kevin is intended to challenge your assumptions about the people we think of as "evil." We Need to Talk About Kevin Jump to Edit Summaries Kevin's mother struggles to love her strange child, despite the increasingly dangerous things he says and does as he grows up. But her expression is one of strained indifference. However, the story's unflinching refusal to provide answers for who was responsible carries over. Ironically he becomes a miniature doppelganger of her, all sharp angles and androgynous countenance lying in direct contrast to the lovably rounded and craggy features of his father. We Need to Talk About Kevin. Kevin grows up, and the family moves to an affluent neighborhood in their very own castle. If she had her way, she would put her life on rewind and start all over again maybe even as somebody else, since she's not very fond of herself. Roger Ebert was the film critic of the Chicago Sun-Times from 1967 until his death in 2013. Movies. This review of the film was originally published on December 22, 2011. Rather, Ramsay's film is an extended treatment of the optics of grief and guilt. From here he becomes a sociopathic teen with a rather keen interest in archery. "At the end of the day, I have no idea, and that pure, serene, ignorance has become, itself, a funny kind of solace," she writes in a letter to her deceased husband. Kevin is seen at three ages. One day, Celia loses one of her eyes from toxic cleaning supplies, and Kevin becomes a prime suspect. Therefore, when Kevin shows Eva the scar from the childhood accident, he tells her that it is the most honest thing that Eva ever did to him. She asks Kevin why he didn't kill her. KATY: Oh, I'd love to come back. We Need To Talk About Kevin - Behind the Scenes - Tilda Swinton Movie (2011) HD - YouTube 0:00 / 2:18 We Need To Talk About Kevin - Behind the Scenes - Tilda Swinton Movie. Kevin has a real emotional attachment to his bow because the only time his mother showed him genuine affection was when he had the flu, and she read Robin Hood to him. That's the underlying message of We Need to Talk about Kevin, Lynne Ramsey's remarkable allegory on the transcendent nature of relationships. Outward appearances of mother and son match their steely interiority as neither suffers fools gladly and both abhor artifice and sentimentality. Eva apparently thought her early life was on the right track and tells her screaming baby boy she would frankly rather be back in Paris than changing his diaper. In the next sequence, he appears in a loose white shirt. Was he acting out to punish Eva? It is an epistolary novel, comprising the letters that Eva Khatchadourian writes to her husband Franklin in the aftermath of their son's crime. The film shifts almost all of its attention to the mother of the disturbed Kevin, Eva (Swinton). This turns out to be some sort of annual Italian tomato festival, but the image is disturbing. Eva and Franklin are a happily married couple till Eva gives birth to Kevin. It asks, "who is to blame when something horrific happens?". Some interpreted scene at the gym as her being repulsed by pregnant bodies, but I am thinking she was like "why can't I be happy and bubbly with this child like they are?" About Press Copyright Contact us Creators Advertise Developers Terms Privacy Policy & Safety How YouTube works Test new features Press Copyright Contact us Creators . Kevin chooses to conceal the incident from Franklin. The film moves without any pattern between past, present and who knows when. and Stephen Broussard, p.g.a., Ant-Man and The Wasp: Quantumania also stars Jonathan Majors as Kang, David Dastmalchian as Veb, Katy O'Brian as Jentorra, William Jackson Harper as Quaz and Bill Murray as Lord Krylar. He doesn't have the emotional capacity to have a disturbed son, and so has decided that he doesn't and that's the end of it. KATY: Yeah, I mean, a lot of it would be drawn from movies, essentially. This review of the film was originally published on December 22, 2011. We see this throughout Kevin's early developmental journey. Genres: Psychological Drama, Family Drama. The kid was screaming nonstop from the go, as infant. Lionel Shriver's source novel is a quirky, disturbing take on the high school killer story. Is Kevin a sociopath or a psychopath, then? Though unlike the Shakespearean character, the question of Evas guilt has a lot less cut-and-dried answer. We Need to Talk About Kevin is already playing in NYC; it opens today in LA, Chicago, Houston and Phoenix and is rolling out nationwide. An excellent movie with great characters, amazing development, and astounding use of cuts, foreshadowing, and visual storytelling. Near the top of the list of the worst movies to watch on Mother's Day is "We Need to Talk About Kevin." But we can safely assume that Kevin did not literally eat the eyeball. 2023 Cinemaholic Inc. All rights reserved. By provoking her, Kevin is able to get some precious emotional honesty out of her. She lives with the guilt of what her son did, on top of the guilt of knowing she did nothing about the various warning signs. Or did Kevin turned this way because she messed him up from the very birth. Who's there when Kevin gets sick? Advertise, Funny Superhero (DC & Marvel) Shirts & Stickers. She could move away for a fresh start, but she's shown setting up a room for him, complete with his navy blue bedding and Robin Hood book. The woman sits up in alarm and shakes the MAN. How difficult was it to play the straight woman when everyone around you gets to be fairly silly in the early scenes? The white curtains create an ambiance of premonition, and as the camera tracks forward, we see Franklin and Celia lying dead in the middle of the back garden, blood-drenched arrows stuck to their bodies like leeches. When he is interviewed on TV, a reflection of Eva's face on the screen is overlaid on his. While Eva and Franklin argue over the accident, Kevin taunts his mother by peeling a litchi, with a smug look on his face. Does Eva's open contempt for Kevin drive him to darkness? The film depicts him as a psychopath beyond redemption. Her emotional state doesnt change even when Kevin is born. February 24, 2023 at 12:05 PM ET. But it's also pretty surface level. Stripping the screenplay off words, the disturbance arises from a seamless amalgamation of image and sound. How would I behave if basically the weight of a literal realm was on my shoulders? That the film works so brilliantly is a tribute in large part to the actors. KATY: It was really different, obviously, than the comic book version. It's been 10 years since its world premiere at Cannes, and we need to talk about what made it such a haunting meditation on motherhood. This cycle is beautifully written and acted by Swinton, so much that you can't help but empathize with her despite her own assurances that every drop of blood her son ever spilt is on her hands, an image weaved throughout the movie. Super-Hero partners Scott Lang (Paul Rudd) and Hope van Dyne (Evangeline Lilly) return to continue their adventures as Ant-Man and the Wasp. Years later, the birth of her daughter Celia, on the other hand, feels more festive. The past and present intertwine as Eva recalls Kevins formative years from childhood to adolescence, hoping for clues on what went wrong. So, I think TV being as fast paced as it is, and as kind of chaotic as it can be, it doesn't always set you up for being able to walk into a film where you've had plenty of time to look into everything and prepare. Swinton is excellent as Eva, the reluctant mother tormented by her psychopathic son, and director Lynne Ramsay handles the disjointed time structure well, but that's about all I can commend about it. She created a relationship which encouraged him to act out as horribly as possible to get the most honest reactions from her, because she only ever showed him her real emotions when she was disgusted. The second is Kevin's bedroom. Menu. About | ROHAN: You're on a cast with Paul Rudd, David Dastmalchian,William Jackson Harper, and so manyfunny people. The result is that Franklin completely deprives Kevin of proper care - not only mental healthcare, but any other kind of care. Jake Martin, SJ, is a Jesuit priest, comedian and writer. ROHAN: You have a few scenes with Kathryn Newton, who is playing Cassie, in the film. So is Amelia in The Babadook. A suspenseful and gripping psychological thriller, WE NEED TO TALK ABOUT KEVIN explores the relationship between a mother and her evil son. Also read:Author Lionel Shriver on her early writing, politics, essential reading list and persevering out of 'sheer spite'. The mistake would be to take the film apart and try to reconnect the pieces in chronological order. When we see an overdressed Eva beside Kevin, the distinction between the two becomes clear as daylight. It is true that there is nothing unusual about giving birth to children in order . Motherhood was therefore intended as a punishment.. For full Oscars coverage and commentary by its reviewer, Fr. We gather she didn't want to get pregnant, isn't sure why she's married, is a mother who tries to mask hostility with superficial kindness. Be respectful! Keep your comments focused on the film. The murder spree began with his father and sister suffering the same fate earlier that day. Secretary of Transportation Pete Buttigieg's response to Donald Trump's refusal to accept any responsibility for the impact his massive deregulations have had went viral on Thursday as video of him encouraging the ex-president to support the Biden administration's efforts went viral. This is not entirely his fault. For removal of copyrighted images, trademarks, or other issues, Contact Us. Site Map | Eva's point of view is obviously not reliable, and her segments are intended to portray that she's entered a cycle of deep self-abuse over having raised a psychopath. Kevin replies that he thought he knew why but now hes not sure anymore. She obviously feels complicit and takes on the role of communal scapegoat as a way to expiate her own guilt as well as to grieve the loss of her family. Written by Julia Wolf. Fast forward to fifteen year old Kevin, and we can see that this habit has become his worldview. As a teenager, Kevin (now played by Ezra Miller) has started to cruelly resemble his mother in profile and hairstyle. With Tilda Swinton, John C. Reilly, Ezra Miller, Jasper Newell. Haunted by the past, Eva's memories are triggered by sounds, objects and everyday minutiae. Art and Divine Beauty: An Antidote to the Winter Blues, The Prodigal Son: How to Overcome the 3 Lies We Tell Ourselves. But the two most significant and poignant moments are found at the end of the film, when the 18-year-old Kevin, two years into a prison sentence for a heinous incident at his high school (yes, its as bad as you think), responds to his mothers query as to why he did what he did. Kevin's killings, meanwhile, are the absent, invisible center of Ramsay's film. For full Oscars coverage and commentary by its reviewer, Fr. It may not strike one as something extraordinary, but one needs to understand that Kevins mind is wired differently. Psychology Today describes the "nature vs. nurture" debate as questioning how both elements impact a person's characteristics. Copyright 2023. What kind of a kitchen has empty counters? When the child Kevin is sick and nuzzles close to his mother as she reads, his father comes to the door and is rejected in favor of his mother, the look on Evas face is one of wonder and delight. So, me, I'm surrounded by comedy, and I have to bring the reality of what's going on. Kevin appears in a short sleeve red shirt as a toddler. While Eva is shown throughout the film to be indifferent toward her son, Kevin's actions are fueled by his desire to spite her. The camera zooms in, but the scene cuts just before we can get a peek on what's on the other side of it. The real horror in the movie is society's dogmatic conception of motherhood, and the pressure to live up to it. He proves it when he poops himself twice in a row and she breaks his arm in a fit of rage, what he calls, "The most honest thing you ever did to me." Cookies help us deliver our Services. If you are having trouble tying loose ends, let us assist you in the process. I think Jentorra felt a little betrayed by her, and there was no real reconciliation with them at the end. Shriver welcomes the sharply divided interpretations, writing in the Harper Perennial P.S. For the first portion of the film, the leaps back and forth in time caused needless confusion. Terms Of Service | Little Kevin cries relentlessly, and Eva often uses cruel methods to shut him up. Her body can't absorb more punishment. When asked about the film adaptation in an interview with The Guardian, Shriver said her biggest concern was if they'd be able to "capture the quality of the slightly unreliable narrator and the ambiguity over who is to blame. Kevin is far too malevolent, which might work in a Rosemary's Baby horror context, but not here (admittedly it does verge on horror at times but ultimately we are asked to empathise with Eva's travails as a mother).

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