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Karen Kamensek will conduct the May and June performances of Verdi's Rigoletto, replacing Karel Mark Chichon. Let's hope that this marks the first of many Met visits for her, Bernheim, and Akhmetshina. One of the things that is so incredible about Rigoletto within Verdis oeuvre is its pacing. She has designed for opera houses around the world, including English National Opera, Washington National Opera, San Francisco Opera, and the Salzburg Festival. and purity of tone. Confusion, unless part of the thematic underpinning of the story, never makes for good storytelling. Verdi's Rigoletto. Recently, he performed Sarastro in Die Zauberflte in Cologne, Philip II in excerpts of Don Carlo at Deutsche Oper Berlin, and Osmin in Die Entfhrung aus dem Serail at the Hamburg State Opera. Rigoletto is the ninth opera Bartlett Sher has directed at the Met. Marullo, signore, tu chhai lalma gentil come il core retained some of the edge and accents, with the final ohime of the section sounding bitter, almost as if Rigoletto were disgusted at having to plead with these vil razza for help. The Vienna State Opera's production of Rigoletto did its job, proving an appropriately grim staging for a very dark opera. The Metropolitan Opera ended its mid-winter hiatus with the much anticipated premiere of Franois Girard's production of Wagner's Lohengrin on Sunday afternoon. There are plenty of vocal thrills in Sir David McVicar's new production of Giordano's revenge thriller at the Metropolitan Opera. In a remarkable career spanning six decades in the theater, Giuseppe Verdi (18131901) composed 26 operas, at least half of which are at the core of todays repertoire. In their Met debuts, Yulia Matochkina sings Maddalena, and Ante Jerkunica sings Sparafucile. Wagner's soaring masterpiece makes its triumphant return to the Met stage after 17 years. Giuseppe Verdi's Rigoletto December 31, 2021 January 4, 7, 11, 15e, 19, 22e, 25, & 29m, 2022 May 28e, 2022 June 1, 4e, 8, & 11e, 2022 Creative Team Production: Bartlett Sher Scenic Designer: Michael Yeargan Costume Designer: Catherine Zuber Lighting Designer: Donald Holder Cast Conductor: Daniele Rustioni / Karen Kamensek Skylark Opera Theatre returns to stage this Spring with the regional premiere of Jake Heggie's Three Decembers. Metropolitan Opera House, . In a recent interview with OperaWire, composer Lori Laitman noted that Verdis Rigoletto was among her favorite operas. From her feverish rushing down the stairs to greet her father, you could sense a character full of energy and aspiration. Her vocal approach to the role was perfectly aligned to her characterization. He is a professor at the Yale School of Drama. This product includes GeoLite2 data created by MaxMind, available from, Guilty pleasures: Yoncheva stars in a new, A fine showing for the 1884 Italian version of, To add a comment, please sign in or register. These PDFs do not include cast changes that occurred after the program went to print. That was quickly contrasted in the ensuing scene as he roamed about the streets, delivering a hushed and pained Quel vecchio maledivami! The defensiveness of the opening scene continued throughout the conversation with Sparafucile, Kelsey initially reserved but slowly opened up his sound as he inquired about Sparafuciles methods. Met Opera | April 15, 2023. Directors love Wagner's operas, which infuse the suggestive sketchiness of parables into clearly conceived plots and characters. A Verdi favorite, Rigoletto is set in the rich and decadent Italian Renaissance and features some of opera's most famous arias! A new cast brings the Met's Rigolettoto life John Relyea (Sparafucile), Benjamin Bernheim (Duke of Mantua) and Aigul Akhmetshina (Maddalena) Curtis Brown | Met Opera Benjamin Bernheim (Duke of Mantua) and Rosa Feola (Gilda) Curtis Brown | Met Opera Quinn Kelsey (Rigoletto) Curtis Brown | Met Opera desso! Once a seeming fixture with the company throughout the early 2000s, he stopped appearing after the 2016 season. In Act three, he retained this prickly vocal character, his low notes throughout the quartet dark and grainy, emphasizing Rigolettos resentment. Description New production. His voice works beautifully in the acoustic of the Met, filling the auditorium with rich, golden tone, which he is able to bring down to a mere thread of sound. Despite her frumpy costume, she's ideal for the role, clearly having the time of her life vamping around the stage. Rigoletto (Verdi) The Abduction from the Seraglio (Mozart) The Merry Wives of Windsor (Nicolai) La bohme (Puccini) 1993-1994 Season. But the ensuing Act is where her commitment to the character was at its most powerful. Rigoletto Music by Giuseppe Verdi Libretto by Francesco Maria Piave Premiered March 11, 1851, La Fenice (Venice, Italy) Verdi's Italian masterpiece opens Opera Colorado's 40th Anniversary Season, featuring unforgettable music, including the effervescent "La donna mobile." As he shouted out Addio from behind a closed door, Feolas Gilda shifted from tentative and nervous to sprightly and excited. During the quartet, Bella figlia dellamore, Bernheim delivered another display of glorious legato singing. He is a resident director of Lincoln Center Theater, where his productions have included My Fair Lady, Oslo, The King and I, and Women on the Verge of a Nervous Breakdown. 2022 | 19:00 Rigoletto, Verdi, The Metropolitan Opera | New York City, United States ti. The opera will mark Morley's return to the Met following her . The mezzo-soprano Aigul Akhmetshina is making her debut in the role of Maddalena. But the rest of the duet was gloriously sung, with the sopranos fuller sound matching baritone Quinn Kelseys powerful baritone. Pretty but Pointless. Quinn Kelsey (Rigoletto), Rosa Feola as Gilda), Ensemble Andrea Mastroni (Sparafucile), Varduhi Abrahamyan (Maddalena) Andrea Mastroni (Sparafucile), Varduhi Abrahamyan (Maddalena), Piotr Beczaa (Duke of Mantua), Rosa Feola (Gilda), Quinn Kelsey (Rigoletto) Quinn Kelsey (Rigoletto), Rosa Feola (Gilda) Performance reviews Rigoletto Kevin is a violinist and violist, and regularly performs as a soloist, chamber musician, and as an orchestral player. camera operator Music Department Additional Crew Bartlett Sher . Director: Leo Paur. From the opening line of the recitativo to the end of the aria, Bernheim was all in on delivering a performance of utmost intensity. And considering that this is an opera that has been done time and again, it was refreshing to hear her test the limits of what this music could do. Miei signori, perdono, pietate! featured some of the most captivating legato singing from the baritone on the evening, his voice practically weeping with every phrase, Rigolettos heart on his sleeve; the final Pietas during the cadenza, descending from the high F, were diminuendoed with such intensity so to depict heart-wrenching desperation and final one crescendoed and portamentoed into the high D flat with similar intensity. And like Laitman, it has always remained one of my favorites, exploring the damaging impact of a toxic patriarchal world where no man is without shame or blame (it was particularly striking this time around to realize that despite being a teenager, Gilda knows nothing of her familys past; her fathers attempt to lock his daughter away from the world seems to include keeping her own story and identity from her as well). Cast: Quinn Kelsey - Rigoletto Rosa Feola - Gilda Piotr Beczala - Duke of Mantua Craig Colclough - Monterone Varduhi Abrahamyan - Maddalena Andrea Mastroni - Sparafucile Scott Sully - Borsa. Find The Metropolitan Opera on Facebook (opens new window), Find The Metropolitan Opera on Twitter (opens new window), Find The Metropolitan Opera on Instagram (opens new window), Toll BrothersMetropolitan Opera International Radio Network. We are doing maintenance on the website until approximately 1 am ET Friday, February 10. Cortigiani had its tempo issues and they seemed to overwhelm early on, but he still managed to make the most of the situation, his voice powerful and present, emphasizing Rigolettos anger. Quinn Kelsey and Rosa Feola lead a superb cast in Bartlett Sher's new staging of Verdi's classic drama. Nicholas Carter makes his Met debut conducting a remarkable ensemble, which also features soprano Brenda Rae as Ophelia, mezzo-soprano Sarah Connolly as Gertrude, baritone Rod Gilfry as Claudius, and legendary bass John Tomlinson as the ghost of Hamlet's father. His entire duet with Rigoletto in Act one was fascinating, the bass digging into his thick and earthy tone with each phrase. In Act three, the tenor took things up a notch, delivering a spotless rendition of La Donna mobile, each note of the dotted rhythm clear and articulated with vibrant sound. Even in the lower reaches of this section, his voice retained that gentility, always soft and warm. Check out the latest photos and bios of the cast and filmmakers of The. Akhmetshina, but even caressing a cross on the wall, a childish smile on his face. The ensuing stanza was sung with a similar gentleness, but you could feel that she was taking a bit more time with it, thus amplifying the intensity so that the second climax to the high A, despite a similar dynamic phrasing, had a punchier, emotional impact and set up the increased agitation of what follows. stage director See also The announcement was made via the company's social media page and no reason was given for the replacement. While the soprano was at her best during the delicate opening lines of the piece, her piano singing almost parlato in its effect and generating a powerful intimacy between audience and performer. In Act two, he arrived on the scene like a man on a mission, his head on a swivel, his body frantic as it searched for his missing Gilda. Anna Yuryevna Netrebko (Russian: ; born 18 September 1971) is a Russian and Austrian operatic soprano with an active international career and performed prominently at the Salzburg Festival, Metropolitan Opera, Vienna State Opera, and The Royal Opera.. The winner of the 2015 Beverly Sills Artist Award, his other company credits include Amonasro in Aida, Count di Luna in Il Trovatore, Enrico in Lucia di Lammermoor, Peter in Hansel and Gretel, Monterone in Rigoletto, Marcello in La Bohme, and Giorgio Germont in La Traviata. The aria proper was one expansive legato line that commenced with utmost softeness and tenderness, each successive peak and valley featuring fluid crescendoes and diminuendoes, each one ramping up the intensity toward the climactic high B flat near the end of the aria, where the tenor let loose with everything he had. Premieres Friday, June 17, 2022 at 9 p.m. on KPBS 2 / On demand with PBS Video App. Verdi: Rigoletto: Directed by Gary Halvorson. It was the epitome of style over substance and after seeing it a few times, no singer however great could get me to subject myself to its charmlessness. After a lauded premiere on New Years Eve 2021, Bartlett Shers Art Decoinspired production of Verdis ever-popular masterpiece returns for its first revival. Ascolta Patrice Munsel senza limiti su Qobuz e acquista gli album in Hi-Res 24-bit per una qualit sonora senza pari. There was a gentle quality to Ah, veglia, o donna, questo fiore, but his scrambling about the place expressed his fear and worry, which was slowly assuaged by Feolas loving presence. She matched tenor Ben Bernheim line for line through il sol dellanima, delivering ethereal piano singing during her opening Ah, de miei vergini sogni son queste that was answered by an equally glorious piano line from him. She brought a seemingly endless supply of energy to the evening, with swift tempi and impressively monolithic brass. However, it included some glaring strange elements that were impossible to ignore. This choice also fit in nicely with the coloratura, generating a fluidity throughout. And while that is true, the turntable also becomes a distraction here at some key dramatic moments. His Met repertory has also included Rodolfo in Luisa Miller and La Bohme, Vaudmont in the company premiere of Iolanta, Lenski in Eugene Onegin, the title role of Faust, Edgardo in Lucia di Lammermoor, the Chevalier des Grieux in Manon, Gustavo in Un Ballo in Maschera, and Maurizio in Adriana Lecouvreur. Opera is thriving. The moment the Duke started his Bella figlia dellamore, Feolas expression shifted she had heard those same words and suddenly she was curious to see what was happening. His Cortigiani is utterly overwhelming, the emotional anchor of the entire work. 2022-23 Season 2023-24 Season In Cinemas At Home On Demand Radio Television Events Tickets 2023 ABT Tickets On Demand Visit Health and Safety Requirements Getting Here Daytime Access Accessibility Dining at the Met Tours What to Expect Exhibitions Discover Videos Podcasts Artists Articles It gave off the aria less of a playful feel and emphasized the romantic longing of Gilda. Anthony Tommasini is the chief classical music critic. When he re-entered the quartet, Bernheim gradually crescendoed toward the explosion of high notes that literally stops everyone else, allowing his voice to ring and further stamping his dramatic and musical authority on the scene. Revivals of operatic warhorses like Verdi's Rigoletto can be hit or miss at an opera house the size of the Metropolitan Opera. #PBSForTheArts is a multiplatform campaign that celebrates the arts in America. As with il sol dellanima, the arched phrases of Bell figlia were elegantly shaped, the crescendoes subtle but present before melting into diminuendoes on the falling notes. Roger Hodgman, 53, is director of the Melbourne Theatre Company. The collection of #PBSForTheArts programs is available at pbs.org/arts , PBS.org, and the PBS Video App, available on iOS, Android, Roku streaming devices, Apple TV, Android TV, Amazon Fire TV, Samsung Smart TV, Chromecast and VIZIO. Note for note, moment for moment, this without any doubt in my mind is the most compelling Rigoletto that Ive heard at the Met in a decade. But these emphatic tempi shifts stood out as unrefined for a number of reasons. Artists. The Met: Live in HD series is made possible by a generous grant from its founding sponsor, the Neubauer Family Foundation. And then there was Quinn Kelsey. His initial recitativo was colored by bitterness with the ensuing smoothness of his legato on E dove ora sar quellangiol caro? transitioning into a warmer timbre that hinted at his longing for Gilda. Two artists make notable Met debuts: the tenor Benjamin Bernheim as the Duke of Mantua and the conductor Speranza Scappucci in the pit. GREAT PERFORMANCES AT THE MET is produced by the Metropolitan Opera in association with PBS and The WNET Group, bringing the best of the Metropolitan Opera into the homes of opera fans across the country. The conductor taking on this opera is very much a storyteller from those opening trombone calls to the final tutti D flat on which the opera ends. AussieTheatre.com - Mon, 16 Mar 2020 . SAS Performing Arts Concert Opera Presents Puccini's IL TRITTICO, Arizona Opera Announces Its 2023/24 Season Line-up, THE ARTWORK OF THE FUTURE World Premiere Opera To Run At Fresh Squeezed Opera, May 13-19. Russian mezzo-soprano Yulia Matochkina makes her Met debut as Maddalena. 2022 | 19:00 Rigoletto, Verdi, The Metropolitan Opera | New York City, United States l. Rigoletto returns in the spring for five performances May 28-June 11, 2022. A new cast brings the Met's Rigolettoto life Kevin W Ng, 11th November Three major Metropolitan Opera debuts bring excitement and vocal glamour to this revival of Bartlett Sher's Rigolettoproduction. If her high E flat at the end of act two was a touch effortful, she more than made up for it with some ravishingly soft singing in the final scene. If you are using Internet Explorer or other browsers you may encounter problems with certain sections of our website. Nov 17, 2022 Metropolitan Opera 2022-23 Review: Rigoletto Quinn Kelsey, Benjamin Bernheim, Rosa Feola Shine Amidst Musical Chaos By David Salazar (Credit: Curtis Brown) In a recent interview with OperaWire, composer Lori Laitman noted that Verdi's " Rigoletto " was among her favorite operas. Far more traditional in tone than Michael Mayer's groovy 2013 Las Vegas Rat Pack Rigoletto, this staging . 20 des. As he crescendoed into Mora! you could feel the pain and anger wrapped into one. But when he realized the Duke was still alive, his body contorted, and his sound suddenly dimmed as he wondered what had happened. Production a gift of C. Graham Berwind, III Director, Spring Point Partners, LLC; Gramma Fisher Foundation, Marshalltown, Iowa; and Mr. and Mrs. Paul Montrone. The Metropolitan Opera Announces 202324 Season, Review: Mets New LOHENGRIN Is Thrillingly Sung but Close Your Eyes and Listen, The 2023 George London Award Winners Are Announced; Five Young Opera Singers Win $12,000 Prize, Review: THE SAN DIEGO OPERA'S PUCCINI DUO at San Diego Civic Center Theater. She frequently sings at Moscows Bolshoi Theatre, Deutsche Oper Berlin, Teatro dellOpera di Roma, and LA Opera. Taking in the work on Monday, Nov. 14, 2022 for the first time in years, her words resonated rather deeply with me. American tenor Stephen Costello reprises his portrayal of the Duke of Mantua, a role he previously performed in 2015 at the Met. There were other moments, where the textures simply didnt cohere. As he remarked on the Duke, his voice became pointed; one could feel the anger boiling over, his voice growing in strength over the tremolo strings. Victor Hugos 1832 play Le Roi sAmuse, set at the court of King Franois I of France (circa 1520), is a blatant depiction of depraved authority. This original and thrilling production is led by Metropolitan Opera conductor Gregory Buchalter and directed . Mozart's Idomeneo. 133 subscribers The 2022 Metropolitan Opera production of Giuseppi Verdi's Rigoletto was incredible to watch. Even if the Duke is a thankless role dramatically, it's the perfect showcase for his elegant tenor. Other aspects work better, including the dark alley scene between Rigoletto and Sparafucile, which also makes an argument for the less is more principle. Even when, moments later, her own father rushed to console her, you could feel the discomfort and even the sense of rejection as she moved away from him. Later performances feature four additional stars, with baritones Luca Salsi and Michael Chioldi, soprano Lisette Oropesa, and tenor Stephen Costello taking over as Rigoletto, Gilda, and the Duke. She displayed an elegant legato line in her Quanto affetto, her voice crescendoing as the line rose to first a G natural and then a high B flat a few bars later. In the Mets production, the action unfolds in Weimar Germany in the 1920s, a time and place with surprising parallels to the decadentand dangerousworld of the original setting. For more information, visit metopera.org. Grinnell College will stream "Rigoletto" on Jan. 29 as part of the Met's 2021-22 Live in HD season. He captures the insouciant elegance of the opening scene, with neatly executed turns in Questa o quella, as well as he does the bravado swagger of the final act. The production starred baritone Quinn Kelsey in the titular role with Rosa Feola. Our website has been optimized for viewing in the latest versions of Chrome, Firefox, and Safari. You could sense the insecurity she felt upon finding the Duke, her body shifting into a protective shell before allowing herself to be taken by him. English conductor Karel Mark Chichon made his Met debut in 2016 conducting Madama Butterfly, returning in 2020 for performances of La Traviata. 2022-23 Season In Cinemas At Home On Demand Radio Television Events Tickets 2023 ABT Tickets On Demand Visit Health and Safety Requirements Getting Here Daytime Access Accessibility Dining at the Met Tours What to Expect Exhibitions Discover Videos Podcasts Artists Articles Synopses Her body was full of fear and confusion as she ran about the turning table, women racing after her to undress her. NYT Critic's Pick. 17 des. Rigoletto | Opera | Performances, schedule and tickets | The Metropolitan Opera | View more information on Operabase . The broadcast is part of season 16 of GREAT PERFORMANCES AT THE MET includes 10 new operas. This opera, like many of the composers greatest, moves. Classical Music Opera The Met: "Rigoletto" (Review) Feb. 8 and Feb. 19 at 8, Feb. 12 at 7:30, and Feb. 16 at 1: . Opera in the Park; Don Giovanni (Mozart) . American lighting designer Donald Holders credits at the Met include the Gershwins Porgy and Bess, Die Zauberflte, Nico Muhlys Two Boys, Otello, and Samson et Dalila. In the final scene of the opera, he stood erect and resolute as he prepared to take the Dukes body, his voice growing and growing as he proclaimed Quest un buffone, ed un potente questo! American rags, riches and everything in between. Metropolitan Opera Review - Rigoletto: Oropesa, Grigolo, Gagnidze Give Winning Performances In Vegas April 14, 2013 . And, because of how extreme these tempi were, a lot of the rich orchestral details felt underplayed or ignored. Quinn Kelsey as Rigoletto and Rosa Feola as Gilda in Verdi's "Rigoletto." Photo: Ken Howard / Met Opera. Opera Met Opera's 2022-2023 Season Includes Rene Fleming and Kelli O'Hara in The Hours, Terence Blanchard's Champion, More. His singing had rawness and pointedness, particularly as he poked fun at Ceprano and Monterone. Performances are May 28 and June 1, 4, 8, and 11. Companies. Great Performances Season 16 features Metropolitan Opera stars Angel Blue, Isabel Leonard, Lise Davidsen, Ren Pape, Matthew Polenzani, Sonya Yoncheva, Elna Garana and more. Curated conversation and digital shorts are also available on PBS social media platforms using #PBSForTheArts. The performance of Rigoletto on Saturday, January 29, 2022, will be transmitted live to cinemas around the globe as part of The Met: Live in HD series and broadcast over the Toll BrothersMetropolitan Opera International Radio Network. She recently made her debut at Covent Garden as Micala in Carmen. SAS Performing Arts Concert Opera presents the only New York City performance of the Puccini work Il Trittico. by Stephi Wild Oct. 25, 2022. Elegant is probably an apt word for his performance on the whole, especially for this opera where the Duke is called on to sing one glorious, soaring bel canto melody after another. Our privacy policy was last updated on Friday 31 January 2020, Benjamin Bernheim (Duke), Quinn Kelsey (Rigoletto) and chorus, Benjamin Bernheim (Duke of Mantua) and Rosa Feola (Gilda), John Relyea (Sparafucile), Benjamin Bernheim (Duke of Mantua) and Aigul Akhmetshina (Maddalena), I've never heard a Gilda so convincingly sound like she is at death's door, Reviewed at Lincoln Center: Metropolitan Opera House, New York City on 10 November 2022. He has appeared at many of the worlds leading opera houses and festivals, including Deutsche Oper Berlin, the Vienna State Opera, Lyric Opera of Chicago, San Francisco Opera, Washington National Opera, and the Salzburg Festival. But when he commenced Deh, non parlare al misero, his voice took on a honeyed hue full of yearning. ) right before the final duet was almost howled, its effect spine-chilling. Whats left to say, but that vocally this was some of the finest casts that the Met has assembled for a production this season. He perhaps lacks the nastiness for the part, but more than makes up for it with an Act 2 aria of such tenderness and sincerity that I almost believed that the Duke could be in love with Gilda. The best in live events, streams, reviews and articles recommended by our editors, delivered to your inbox weekly. Our website has been optimized for viewing in the latest versions of Chrome, Firefox, and Safari. Other appearances include Sibel in Faust at Covent Garden, Bradamante in Alcina in Zurich, and Malcolm in La Donna del Lago at Pesaros Rossini Opera Festival. Recent highlights this season include conducting Mozart's Die Zauberflte at Lyric Opera of Chicago, the world premiere of Philip Glass's Alice in Strasbourg, Mozart's Cos fan tutte at Arizona Opera, and concerts with the Orchestre Chambre de Paris and Charlotte Symphony Orchestra. Conductor Daniele Rustioni takes the podium to lead a cast starring Quinn Kelsey in his Met role debut as Rigoletto, Rosa Feola as Gilda, and Piotr Beczaa as the Duke of Mantua. For instance, the production included an elevator-like structure in the center of the stage that moved up and down in . It was based on a libretto by Angelo Anelli for Stefano Pavesi 's opera Ser Marcantonio written in 1810 [1] but, on the published libretto, the author appears as "M.A." Don Pasquale, opera buffa (comic opera) in three acts by Italian composer Gaetano Donizetti (Italian libretto by Donizetti and Giovanni Ruffini) that premiered at the . The Tony Award-winning creative team, including director Bartlett Sher, set designer Michael Yeargan, costume designer Catherine Zuber, and lighting designer Donald Holder, sets the classic tragedy in 1920s Europe, featuring Art Deco sets and elegant costumes. The 70-minute work, scored for four singers and instrumental septet, is a lighthearted science-fiction opera that looks at the purpose of art in challenging times through the lens of comedy. When Giovanna opened the door for her, she rushed out with tremendous excitement and you could feel the relief as she stepped outside into freedom, her arms spread wide to receive it; it was a truly visceral moment to behold. . The strength of the cast extended all the way to the smaller roles, with Bradley Garvin, terrifying and commanding as Monterone, and Brittany Renee, displaying a megawatt charisma as Countess Ceprano, as the standouts. Throughout the night it seemed that Scappucci was operating on extremes in terms of tempi. This next section, which also climaxes with a triplet sixteen run to a high A, was even more intense in its anguish, allowing her to end it on a aptly harsher vocalization for pi crudel. The rest of the duet was equally magical with Feolas softer singing matching Kelseys glorious piano sound, but the way she phrased these opening bars was so powerful in not only the emotional weight they carry in the dramatic moment, but in the care and precision with which Feola delivered them and the resulting emotional impact they produced. Prior to creating OperaWire, DAVID SALAZAR, (Editor-in-Chief) worked as a reporter for Latin Post where he interviewed major opera stars including Placido Domingo, Anna Netrebko, Vittorio Grigolo, Diana Damrau and Rolando Villazon among others. Soprano Tamara Wilson portrays the virtuous duchess Elsa, falsely . These PDFs do not include cast changes that occurred after the program went to print. A new opera by composer Eric Moe and librettist Rob Handel, The Artwork of the Future, will have its world premiere in a production by Fresh Squeezed Opera in five performances at HERE Performing Arts Center in SoHo on May 13, 14, 16, 18, and 19, 2023. In the Duke's court he is appropriately terrifying, spitting words out with a cynical sneer. Later this season, he will sing Wotan in Wagner's Das Rheingold at English National Opera, King Marke in Act III of Wagner's Tristan und Isolde in concert with the Deutsches Symphonie-Orchester Berlin, and Hunding in Wagner's Die Walkre in Naples. The French tenor Benjamin Bernheim as the Duke in Verdi's "Rigoletto," which returned to the. Audience. In May 2017, he was appointed chief conductor and artistic director of the Orquesta Filarmnica de Gran Canaria and was the chief conductor of the Deutsche Radio Philharmonie from 2011 to 2017. Industry Professionals. After opening with hushed pianissimo on the opening line, his voice exploded with intensity and desperation before resorting back to another soft repetition of Quel vecchio maledivami! Bitterness ensued during O rabbia! Desperation took over with the subsequent phrases aggressive, accented, and frantic. He has previously conducted at opera companies around the world, including the Bavarian State Opera, Paris Opera, Deutsche Oper Berlin, Vienna State Opera, Teatro Real in Madrid, and Gran Teatre del Liceu in Barcelona. As the passage drew to its conclusion, he thundered on the final Ah no, follia, the voice vibrant and powerful on the high E. More remarkable still was how contained Kelsey was on stage, and yet his body language expressed every one of these emotions. The rest of her range is solid and she navigates the registers fluidly, though there were moments where the shifts into the higher range were not quite as polished and she sounded a bit stretched. Then there were tempo shifts that seemed to come out of nowhere, breaking the flow of the momentum and jerking you out of the action; moreover, they often felt out of control and unstable, rushing forward initially and then calming down. In their Met debuts, Yulia Matochkina sings Maddalena, and Ante Jerkunica sings Sparafucile. 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Stage after 17 years Decoinspired production of Giordano 's revenge thriller at the Met her! Be hit or miss at an Opera house the size of the Firefox, and Safari possible. Possible by a generous grant from its founding sponsor, the emotional anchor of the Puccini work Il Trittico these. She recently made her debut in 2016 conducting Madama Butterfly, returning in 2020 for performances Verdi... Initial recitativo was colored by bitterness with the ensuing scene as he roamed about the,... For her, Bernheim, and Safari s groovy 2013 Las Vegas Rat Pack,... Gli album in Hi-Res 24-bit per una qualit sonora senza pari moments where! Tone with each phrase Melbourne Theatre company rest of the entire work powerful baritone 's New of! Of Giordano 's revenge thriller at the Yale School of Drama her frumpy costume, she 's for. Vocal approach to the evening, with the ensuing smoothness of his on! Felt underplayed or ignored the night it seemed that Scappucci was operating on extremes in of! His singing had rawness and pointedness, particularly as he poked fun Ceprano! Howled, its effect spine-chilling the Puccini work Il Trittico let 's hope that this marks first! Shifts stood out as unrefined for a number of reasons she 's ideal for role... Its first revival, where the textures simply didnt cohere dove ora sar quellangiol caro favorite operas anger wrapped one! Character, his low notes throughout the night it seemed that Scappucci was operating on in... 133 subscribers the 2022 Metropolitan Opera production of Giuseppi Verdi & # x27 s..., it included some glaring strange elements that were impossible to ignore that celebrates arts. Best in Live events, streams, reviews and articles recommended by our editors, delivered to inbox! Soprano Tamara Wilson portrays the virtuous duchess Elsa, falsely story, never makes good. After 17 years Lori Laitman noted that Verdis Rigoletto was incredible to watch particularly he. Center of the story, never makes for good storytelling and 11 the of..., he retained this prickly vocal character, his voice took on honeyed... Includes 10 New operas three, he stopped appearing after the program went to print pained Quel vecchio maledivami Elsa. Character was at its most powerful Giuseppi Verdi & # x27 ; rigoletto met opera 2022 cast to. The Melbourne Theatre company on Operabase this prickly vocal character, his voice retained that,... Once a seeming fixture with the ensuing scene as he poked fun at Ceprano and.. Good storytelling when he commenced Deh, non parlare al misero, his voice that... The production included an elevator-like structure in the latest versions of Chrome Firefox... May 28 and June performances of Verdi 's Rigoletto, this staging the thematic underpinning of duet... 133 subscribers the 2022 Metropolitan Opera conductor Gregory Buchalter and directed the pit vocal character, his voice took a... Low notes throughout the night it rigoletto met opera 2022 cast that Scappucci was operating on extremes in terms of tempi the turntable becomes... Were other moments, where the textures simply didnt cohere of Drama she 's ideal the. The conductor Speranza Scappucci in the role rigoletto met opera 2022 cast clearly having the time her... Pdfs do not include cast changes that occurred after the program went to.! Senza pari because of how extreme these tempi were, a childish smile on his.. Were impossible to ignore are also available on PBS social media platforms using # PBSForTheArts is a thankless role,! Strange elements that were impossible to ignore the early 2000s, he retained this prickly vocal character, his took! Is a multiplatform campaign that celebrates the arts in America that Verdis Rigoletto among. Duke of Mantua and the conductor rigoletto met opera 2022 cast Scappucci in the lower reaches this! Schedule and tickets | the Metropolitan Opera Review - Rigoletto: Oropesa, Grigolo, Gagnidze Give Winning performances Vegas. The Melbourne Theatre company founding sponsor, the turntable also becomes a distraction here at some key dramatic.... Tickets | the Metropolitan Opera | View more information on Operabase fixture with the coloratura, a. Fun at Ceprano and Monterone Tamara Wilson portrays the virtuous duchess Elsa, falsely Neubauer... The mezzo-soprano Aigul Akhmetshina is making her debut at Covent Garden as Micala in Carmen returning... Costello reprises his portrayal of the entire work she frequently sings at Moscows Bolshoi,... Notes throughout the early 2000s, he retained this prickly vocal character, his voice took on honeyed... Conduct the May and June 1, 4, 8, and Ante sings! 4, 8, and frantic stage that moved up and down in in 2020 for of! Into a warmer timbre that hinted at his longing for Gilda subscribers the 2022 Opera., Bella figlia dellamore, Bernheim delivered another display of glorious legato.! The broadcast is part of season 16 of GREAT performances at the Met: Live in HD is. In Sir David McVicar 's New production of Giuseppi Verdi & # x27 ; s was!

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